
The Roots
We come from the most diverse backgrounds - singing, music, dance, body music, theatre, Feldenkrais®, yoga, music therapy, pedagogy - and each of us has always looked at the world of education and teaching.

Rosario was born in 2019.
We met for the first time in Pontedera (PI), at Spazio NU, an international center for the art of movement, which still supports the project and hosts us in our residential meetings.
Our common thread was Charles Raszl, guitarist, arranger, composer, dancer, arts educator, musical and theater director, and member of Barbatuques.


After getting to know each of us individually, he gave the project its vital impulse , with the seemingly utopian idea of creating a collective of people of different origins and training, but similar in that initial spark that was there body music, in the desire to investigate its potential and ramifications.
FIO AZUL - performance
“...A deep exploration of musical patterns, in which rhythm and melody become a carpet for the nfolding of empathy entrusted to the sound code.” - Renzo Francabandera (Paneacquaculture)
Fio Azul is a ritual where bodies intertwine in a vocal, rhythmic and dance sense, in a tale rooted in popular culture that travels from Brazil to Southern Italy to Africa.
Fio Azul, before being a theatrical show or a body music concert, is first and foremost the celebration of beauty in its complexity. It is a danced prayer where struggle and play, strength and kindness, the scent and thorns of the rose coexist.
Fio Azul tells the stories linked to the Mediterranean and its waters in music and dance with Fimmana de Mare and Creuza de Mä; celebrates Afro-Brazilian mythology, from the goddess of the rivers Oxum to the warrior of the dark waters Obá, invoked by the Ogan Êre drums; it embodies the witchcraft energy present in the Moresca del Gatto and the resilient and lunar strength of the Magara.
Fio Azul is a blue thread: its core is thin, apparently fragile, but by intertwining it becomes stronger, by joining other threads it can create a new weawe. Once grafting onto a surface - be it a stage, a lawn or asphalt - Fio Azul takes un unexpected textures and shapes; it can connect one hemisphere to another, connecting the vastness of the sky and the underground depths. It is a thread that embraces the transformation of time and is ready to unwind to change into something new.

Fio Azul is an offering, a celebration in which our only instruments are our bodies, from which singing, dancing and pulsation are born. Each body enters into relation with another, in a continuous exercise of encounter: harmony, rhythmic texture, collective movement, also in connection with the audience.
In each performance, Fio Azul takes shape in a fertile dialogue with the environment, the timing and the energy of the place and the people passing through it. It has a flexible form in terms of space, duration, staging ad audince interaction, like a rose that is reborn fresh and vital every time, in an ever-new garden.
Fio Azul has been presented in various festivals and contexts including: Body Rhythm Festival in Hamburg (DE) in 2025; Festival Opera Prima of Rovigo in 2024 and 2022; Musicultura in Macerata in 2023; Festival Voci Audaci of Losone (CH) in 2023); Festival di Musica Circolare in Trevi (PG) in 2019; Entroterre Festival in Bologna in 2023; Spazio NU of Pontedera (PI) in 2019, 2022, 2024; Festival Inventaria of Rome (2022); Teatro Capovolto of Trento in 2023; CorpInFesta – Body Music and Dance Festival in Rovereto (TN) in 2023, 2025 and 2026.
Why Rosario: the declinations
Rosario, which in Brazilian also means "crown of roses", is a living organism with roots in the birthplace of each of its members and branches that grow intertwined in the most diverse places. A tenacious plant, it welcomes its thorns as an inevitable part of the whole in order to honor every flower that composes it.
The rosary it is a string of beads and in many places in the world it is a guiding object for meditating and direct oneself into depth and presence. Rosario connects different ways and worlds and is a circle in which the presence of each bead is necessary to experience unity. In the Collettivo, as in the Rosary, we matter and we sing.
“The beads of my rosary are artillery shells”
This is the dancing manifesto of the Collettivo Rosario. Making art is awakening the dormant and essential knowledge for the movement of life (dreams, ancestrality). It is carrying out a gentle struggle through beauty, and therefore with ethics and aesthetics, to create and offer new perspectives.
The current situation in the part of the world in which we live sees a society based on consumerism, profit and exploitation, at a speed that mows down dialogue and sedimentation. It is on this impoverished soil that we grow our rose garden. We carry out a stubborn and trusting research to carve out an unassailable space of beauty and depth through practices and reflections oriented towards nurturing collective processes, joy, vitality and well-being.
Dance, voices and our bodies playing rhythmically are our prayers.
Our prayers are also our ammunition.

ABOUT US
Charles Raszl
Artistic director of Rosario Collective
Guitarist, arranger, composer, dancer, artistic educator and musical and theatrical director
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Si è diplomato in chitarra classica e direzione di coro al conservatorio “Escola Municipal de Música” (SP-Brasile) e successivamente si è diplomato in chitarra popolare al Conservatorio dell'Università Popolare di Scienze Musicali (SP-Brasile).Laureato in Educazione Musicale presso l'Università Federale di São Carlos, dal 2000 al 2006 è stato direttore del Coral SESC Itaquera (SP-Brasile).Nel 1997 partecipa allo spettacolo di danza “Palco, Academia e Periferia” diretto da Ivaldo Bertazzo. Dal 1999 al 2003 è stato membro della compagnia di danza contemporanea "Cia 3 de paus”. Ha ideato e diretto spettacoli musicali teatrali come "Peças e Pessoas" (teatro musicale) 2004, "Tudo na faixa" (teatro musicale) 2005, "Olhos invisíveis" danza contemporanea) 2006 e "A Pimenta do Reino" (teatro musicale).
As a director and musical composer, between 2006 and 2022 he composed original compositions for a variety of dance and theater performances, including The Flight from the Fly, Witch Morgana - How It All Began, Long Live Malasartes, The Key, Not Here, Mr. Boss, Taiô!, Lightning, Here You Can't Touch!, Where Do Clarice's Stories Come From?, Around the World in 80 Days, Today is St. Benedict's Day, Exhausted Body, Jorginho - Chameleon Dragon, Between Expectations, Armored Reason, Luzeiros, The Books of Jonah, The Boat.
I directly and composed the original soundtrack for the film “The Three Friends” (animation in stop motion with director and director of Luis Alberto de Abreu, 2013) and “Histories of Canary” (tester and director of Léo Cadaval, 2015).
Dal 2007 al 2008 ha partecipato come educatore di musica e danza al “Projeto Curumim” (SESC-SP, Brasile). Dal 2013 e il 2017 è stato docente del corso "Body Music in Brazilian Dance Gestures" presso l'"Instituto Brincante"; nello stesso periodo ha intrapreso un corso di formazione di "Frevo & Capoeira" con il M° Alisson Lima.
Since 2012 he has collaborated with various music education associations including ABRAORFF in Brazil and around the world, Educarte in Italy. From 2014 to 2020 he was a member of the teaching staff of the "Course for Holistic Voice and Sound Operator" and of the "Course for Vocal and Rhythmic Improvisation Facilitator" promoted by the Umbriaincanto Association (Perugia).
From 2010 to today he has been a member of Barbatuques, an internationally renowned Brazilian group with which he has participated in various international music festivals (USA, Turkey, Peru, Argentina, Colombia, Uruguay, Portugal, Poland, Austria, Slovenia, Germany, France, Switzerland, Italy, Bali among others).
Con il gruppo Barbatuques, Raszl ha partecipato alla cerimonia di chiusura dei Giochi Olimpici di Rio de Janeiro nel 2016 e alla composizione delle colonne sonore dei film d'animazione "Rio 2" (Fox Film) e "O menino e o mundo" di Ale Abreu, che ha gareggiato per una nomination all'Oscar per il miglior film d'animazione nel 2016.
Nel 2013 ha presentato al Festival Italiano delle Percussioni del Corpo (Terni) l'assolo "P.F.-Pessoa Fisica / Prato Feito", performance frutto della ricerca sulle tecniche di body music e sulle danze tradizionali brasiliane.
Since 2013 he has been performing and teaching his personal approach to Body Music in Germany, Switzerland, Poland, Uruguay, Turkey, Ghana, Austria, Spain, France, China, Greece, Ukraine, Finland and Italy, developing the possibilities of meeting between body music and traditional Brazilian dances.

Alessandra Alifano
Musician, music therapist, doctor and trainer
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Graduated in Medicine and Surgery from the Alma Mater Studiorum of Bologna with a thesis in psychiatry on Psychodrama in Anorexia Nervosa (2010-2017), she bases her research in the field of care on transdisciplinary integration and on various artistic practices.
E’ diplomata presso la “Scuola di Specializzazione in Musicoterapia Giovanni Ferrari” di Padova e Universitée Jean Monnet Bruxelles con lavoro di ricerca dal titolo "Ecologie acustiche e ambienti di Cura" (2022-2025).
In Bologna she trained with Dr. Marina Falzone in group vocal music therapy and is currently continuing her studies in vocality and psychophony with Elisa Benassi and Meike Clarelli.
As a music therapist, he leads groups dedicated to different users.
She is active as a musician and singer in the Dodo Sya group, a research collective on Maloya music.
He currently studies and practices medical Qi Gong according to the teachings of master Li Xiao Ming with the instructor Francesca Sgubbi and Dr. Clara Melloni.
He recently completed the three-year training in Somatic Movement Education in Nature with an ecosomatic and artistic focus, led by Cinzia Delorenzi (2022-2025): RHIZOMA. Listening practices.
She has three years of experience in physical and pedagogical theater at the School of Action conducted by Barbara Bonriposi Cosmo (2018-2021).
She studied piano for 5 years at the D. Cimarosa Conservatory in Avellino and graduated in solfeggio (2010).
Since 2018 she has been a First Aid trainer in Bologna at companies and schools.
Sara Capanna
Dancer, actress, choreographer and trainer
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She graduated in Entertainment and Communication Disciplines at the University of Pisa with the thesis Contagi - the encounter between theater and madness. He trained at Art Factory International, professional training in contemporary dance in Bologna and with L'Actor Dissennato - on the teachings of madness by Animali Celesti, a civil art theater in Pisa. Since 2019 she has worked with Animali Celesti as an actress and trainer and created a practice of presence for bodies-in-life in Pisa. In the same year as a dancer she took part in the creation of Ekphrasis by Paola Bianchi and created her first work as an author together with Michele Scappa Crepe | studies on the fragility of matter. Since 2020 she has collaborated as a dancer with Company Blu, and as an actress and trainer at the Teatro Stalla in Verdello. Since 2021 she has worked as a performer for Alessandro Carboni's Context project, as a trainer for theater workshops for teenagers with Geometria delle Nuvole in Cecina and as an author she creates Tracce | Looking for a place to die together with Michele Scappa and Barbara Carulli, co-production Anghiari Dance Hub and Company Blu 2022, with which he participates in the eXtra Young Art Dance Showcase and finalist of the Theodor Rawyler Award 2022.
Francesca Cristofaro
Dancer, singer and teacher
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Dal 1994 al 2004 danzatrice della Compagnia di Danza "Effetto Parallelo", cantante del CoroVincenzino dell'Università di Pisa, cantante solista "Soul Band S. Anna", cantante solista “Night Turn", corista nel gruppo "I Vitols", insegnante del metodo "Music Together" per la fascia d’età 0/6, insegnante di gioco/danza, continua lo studio della danza classica e contemporanea presso lo Spazio NU, Pontedera (PI) con i maestri Yoko Wakabayashi e Victor Litinov.
Guilherme Kirchheim
Actor, singer, director and trainer
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Guilherme Kirchheim is an actor, who also deals with singing, teaching, directing and research in collaboration with artists from four different continents. His academic training in theater took place in Brazil, with the Londrina Artistic Culture Foundation. He has worked with Brazilian and international companies, such as Jerzy Grotowski's Workcenter and Thomas Richards, in Italy. His professional career spans over fifteen years, with research and creation of works involving theatre, singing, cinema, dramaturgy and pedagogy, in 20 countries in North and Latin America, Europe and Asia.
Simone Magnoni
Musician, music educator, music therapist, psychomotor therapist, trainer
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After graduating as a Professional Socio-Health Educator at the University of Padua, he specialized in B. Aucouturier's educational-preventive psychomotor practice, in music therapy and in body music. Trainer and musical educator, he is also a member of the Scientific Committee of the Musica in Culla methodology, as well as co-founding member and vice-president of the Sei per la Musica Association. In his training experience he has always followed, among others, courses on the Orff-Schulwerk methodology.
Linda Palazzolo
Singer, musician, yoga teacher
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Graduated in Singing and Extra-European Disciplines (Vicenza Conservatory) and Jazz Composition and Arrangement (Livorno Conservatory) and Philosophy (University of Pisa), she studied Indian music, vocal technique and jazz language with prestigious teachers (Cheryl Porter, Norma Winston, Maria Pia De Vito...).
Music leads her to travel and perform at festivals all over the world (India, America, Malaysia, North Africa and Europe) and in Italy with various formations, including “Spaghetti Swing” (Umbria Jazz Winter), “Macramé Quartetto Vocale” and “Fonterossa Open Orchestra” (Il Jazz Italiano per le Terre del Sisma, Gray Cat Festival).
In 2015 he presented the fruit of his ethnomusicological research in India at the EXPO in Milan with the composer Yuval Avital. The encounter with Indian culture and music led her to follow training and training until she became a Yoga, Acroyoga and Pilates teacher.
Gennaro Pantaleo
Musician, percussionist, teacher and trainer
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He began studying drums and percussion at the age of 10 and graduated in Classical Percussion at the age of 22 at the Bari Conservatory. He plays as a percussionist for the Fondazione Petruzzelli in Bari, Teatro Massimo in Palermo, Teatro del Maggio Musicale Fiorentino, Arena di Verona and many others. In 2014 he began his experience in the world of teaching and education as a music and percussion teacher.
Specialized in the Orff Schülwerk methodology and in continuous training on Circle Music, he carries out Body Percussion and Body Music Projects and Training for groups of children, teenagers and adults. He combines the traditional folk singing of his land with his research on Body Music.
He directs several percussion ensembles and is the Arranger and Director of the “Fuori Dal Coro” Choir (Cromatica LGBT+ Italia network) with which he also delves into improvisation from a vocal point of view and through the use of Body Percussion.
Luna Pauselli
Feldenkrais® Method teacher and dancer
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Meet the Feldenkrais Method® in the field of contemporary dance and contact improvisation and chooses to follow in their footsteps. In 2006 he completed the Feldenkrais Method Teacher Training at the Centro Feldenkrais of Milan and since 2010 - after working for 10 years as a rehabilitation therapist in the neurological field - he has worked as a Feldenkrais teacher®. He then completed the course Three-year personal training in vocal functionality and the year of pedagogical training at the Voce Mea Association of S.Giustina (BL). He continues his training in both the Feldenkrais Method with perseverance and interest® that of vocal functionality and, more generally, in the field of somatic education.
He played for 20 years in the Brazilian music group SovverSamba, practiced capoeira for several years and currently practices aikido.
The encounter with Body Music, in 2016, opens the doors to a world in which all its areas of exploration are connected: music, singing and dance. He then participates in the Body Music festival in Paris, Hamburg and Helsinki and follows this interest with passion.
Claudia Pellegrini
Actress, singer, musician and trainer
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Jazz and bossanova singer, she works with various groups, in recent years she has dedicated herself to research on improvisation with musicians and dancers, theater actress since the nineties has worked among others with Giancarlo Sepe, Hal Yamanouchi, Monica Francia and Rinaldo Felli ranging from prose theater to that of a physical-expressive nature. Singing and music trainer, circle singing and body percussion facilitator. Afam singing teacher at the International Theater Academy of Rome (repertoire, technique, jazz and bossanova, choir, circle singing, improvisation), music educator (0-6 years), musical facilitator for adolescents and for parenting support, theater trainer (scenic movement, character, research and clown), corporate trainer (team building, leadership, communication). Graduated in Educational Science, she has an artistic education that ranges from 10 years of studying classical piano to a 5-year diploma in jazz singing, 10 years of studying jazz and contemporary dance, and a diploma in theater actress (3 years) with Orff-Schulewerk training.
Valentina Romizi
Dancer, vocal trainer, holistic voice operator
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She began studying dance at the age of six. At the age of 14 he entered the “Dance Gallery” school in Perugia following a training course for professional dancers. There he studied classical dance, contemporary dance according to the Nikolais method, modern dance, tap dance, hip hop, belly dance, floorwork and had the opportunity to study with dancers such as Bruno Collinet, Christopher Huggins, Kathy Jane, Antonella Bertoni, Michele Abbondanza, Simone Sandroni, Roberto Castello, etc. participating in various community dance shows and projects. For 2 years he lived in Spain where he approached flamenco. At that time he graduated in psychological sciences and techniques.
Silvia Sasso
Musician and music educator
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Graduated in Philosophy at the University of Milan with a master's thesis on the functioning of imagination and creative thinking, she then became interested in philosophy laboratory practices with children.
He has conducted musical studies in singing, jazz trumpet and choir, functional harmony and improvisation. He studied in particular the language of body music and circle music as a relationship and facilitation tool (Música do Círculo).
She specialized in "Music and movement education" according to the pedagogical line of the Orff-Schülwerk (dedicated to boys and girls between 3 and 10 years old), in the "Music in Culla" methodology, for early childhood (0-3 years) and other approaches.
It deals with the development of musicality and training, with courses dedicated to children and adults, intertwining body percussion, voice, movement and integrated approaches to creativity.
Sara Tinti
Singer, musician, trainer
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She trained in modern singing and piano. Graduated from the three-year course in Anthropological Sciences and the three-year course in Jazz Piano at the Ferrara Conservatory, she is currently completing the two-year course in Jazz Singing at the Rovigo Conservatory, studying bel canto with M. Miguel Angel Curti and studying Brazilian music in depth. In his journey he curiously investigates the links between body, rhythm, movement and voice. She is active as a musician, singer, chorister and composer in various projects and productions, including the vocal trio The Black Scat, with which he received recognition in important competitions (including Abbado Award, Movin'Up Call, Baku Jazz Festival) and played for shows and festivals in Italy (including JazzMi, Ambria Jazz, Italian Jazz for the earthquake lands, Talos Festival) and abroad (Germany, Azerbaijan, Switzerland, Croatia). She dedicates herself to musical and vocal teaching, both in individual and group contexts, and until 2023 taught singing at the Senzaspine Music School in Bologna.
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